A Requiem In Five Parts

All In Due Time

Some things cannot be rushed. Not grief. Not reckoning. Not the thing waiting behind the door.

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“A masterclass in dread.” The Quiet Listener “Patient, precise, unbearable.” Nightframe “The best kind of horror — the kind that waits.” Static & Silence “Every silence is a decision.” Low Frequency

The Story

A house does not forget what happened in its rooms.

All In Due Time was written across three winters in a house that kept its own counsel. Pro Biohay returns with a record built from the sounds of waiting rooms, dinner tables, and the particular silence that follows an apology no one gave.

Each of the five pieces circles the same object — an apple left to brown on a windowsill, a pegboard wall hung with the tools of a father's temper, a necktie folded and never worn again. The record does not rush to explain them. It lets them sit, the way dread sits, until the meaning arrives on its own schedule.

“It comes for all of us. It always has. It's only ever a matter of when.”

— Pro Biohay

The Record

Tracklist

Five parts, played in order. Tap a track to preview.

I. The Waiting Room 3:47
II. Apple & Ash 4:12
III. Pegboard Saints 5:03
IV. Necktie Vigil 3:29
V. All In Due Time 6:18

32 min · Pro Biohay Records

Voices

What people hear in it

“I had to stop the car. Track three does something to your chest.”

— Listener, Warsaw

“Sounds like a memory you weren't supposed to keep.”

— Nightframe Magazine

“The most patient horror record I've heard in years.”

— Static & Silence

It's Coming

All In Due Time

The record arrives when the record is ready.

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All In Due Time

Pro Biohay